Chen Family Art Porcelain · 陳家藝瓷

Family Craft

Dehua · Three generations · A porcelain tradition approaching a century

The Chen family's porcelain practice can be traced through three generations: Chen Qitai, Chen Deqing and Chen Gong. A published interview also identifies Chen Liling as a third-generation porcelain artist in the family. Historical records state that Chen Qitai was born in 1915 and apprenticed to Xu Youyi at sixteen, placing the beginning of his training around 1931, approximately 95 years before 2026. Today, Chen Gong and Chen Liling carry that inheritance into their own work. Both were named Fujian Provincial Masters of Arts and Crafts in 2012.

Chen Liling

陳麗玲 · Chen Liling肖像

Fujian Provincial Master of Arts and Crafts

A published interview describes Chen Liling as a third-generation artist from a Dehua porcelain-sculpting family. Her figurative work, particularly her portrayals of women, brings observations of everyday life into gesture and detail.

Chen Gong

陳恭 · Chen Gong肖像

Fujian Provincial Master of Arts and Crafts

The eldest son of Chen Deqing, Chen Gong learned the craft from his father and continues the family's ceramic tradition. The names of three generations give this practice a traceable lineage.

From the family archive

Photographs and publications retained by the family offer a view of the studio’s history. These materials were supplied by Chen Family Art Porcelain; the workshop photograph shows Chen Deqing at left and Chen Qitai in the centre, as identified by XIANSU’s founder.

Earlier Chen family workshop: Chen Deqing at left and Chen Qitai in the centre.
The family’s earlier porcelain workshop: Chen Deqing at left; Chen Qitai in the centre.
Bei Kao · 背考, a sculpture by Chen Qitai, reproduced in a publication retained by the family.
Bei Kao · 背考, a sculpture by Chen Qitai, reproduced in a publication retained by the family.

Sources

Dates are approximate where inferred from historical records. English titles are editorial translations. “Carried Forward” expresses an intention to cherish and pass on objects, not a guarantee of appreciation, investment return or museum acquisition.